somewhere inside, i'm pretty sure we all have a miserable secret to share.
all confessions are welcome, whether nitpicking the book/musical, just pure unadulterated praise for victor hugo's chef-d'œuvre, or anything at all in between. send in your ideas via requests (bulk requests are fine), or submit your own graphics.
please do NOT be offended by any of these posts; everyone has the total right to their own opinions.
so please: sit back, relax, and enjoy the show.
questions are always OPEN
requests currently CLOSED
submissions currently OPEN
the first time i heard frances ruffelle’s éponine, i didn’t like her. i thought she sounded like a frog. but now that i’ve read the brick and understand éponine better, i have come to love frances, as well as the entire obc and olc.
i don’t understand why there isn’t more love for terrence mann’s javert. his was the first javert i heard in “one day more”, and i can’t listen to anyone else because nobody nearly laughs saying “schoolboys”.